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STAR TREK, FIRST CONTACT
And did anyone mention those villains? Making their big-screen debut are the Borg, bad to the bone and proud of it. Part human, part synthetic (and realized with appropriate menace by costume designer Deborah Everton, these unstoppable high-tech zombies are not just making conversation when they tell their adversaries, "Resistance is futile."
KENNETH TURAN, TIMES FILM CRITIC
The Borg, designed by Deborah Everton and Michael Westmore, are as horribly magical as gargoyles, and the semi-metallic queen harks back to Fritz Lang's silent classic "Metropolis" and its wicked female robot with her silver breasts and lewd wink
The Washington Post
DICK
However, where the film really shines is with its retro look at "Tricky Dick," Watergate and the early '70s era. While the late 1970s and the whole disco period have been countlessly portrayed in movies, it's not often that the years preceding that time get as much attention -- at least not recently.
Not only does this film remind audiences of the music before disco -- often to quite humorous extremes as we're treated to some fun and funky songs long since buried in our memories -- but the clothes -- recreated by costume designer Deborah Everton ("Star Trek: First Contact," "The Abyss") don't escape delightfuly unscathed...
NY Times
Wisely, the filmmakers waste no opportunity to find humor in the fads and styles of the early '70s since younger audiences may find them especially amusing. In any event, production designer Barbara Dunphy and costume designer Deborah Everton have the look of the era nailed down squarely without, thankfully, being heavy-handed or condescending about it--the very qualities Fleming himself avoids. "Dick" leaves you hoping it finds the audience it clearly deserves.
Los Angeles Times
Costume designer Deborah Everton does wonderful things with garments for the girls, who seem to have very full wardrobes. In fact, the whole movie looks fabulous, in the stylised but entirely appropriate way that made Married to the Mob, for instance, such a joy to look at.
Washington Post
Costume Designer Deborah Everton dresses the two girls in fine 1970's fashion. I'm almost sure I've seen Jan and Marcia in those pyjamas
Screen It
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Without knowing the Watergate story, viewers could find enjoyment in the performances of the two dizzy leads, and maybe marvel at the recreation of flower power fashions (costumes by Deborah Everton)
efilmcritic
THE IN-LAWS
Tech credits all shine, especially Deborah Everton's character-revealing costumes.
Hollywood Reporteer
horribly magical as gargoyles, and the semi-metallic queen harks back to Fritz Lang's silent classic "Metropolis" and its wicked female robot with her silver breasts and lewd wink
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Star Trek:First Contact
Saturn Award, Academy of Science Fiction, Fantasy & Horror Films, best costumes, 1997, all for Star Trek: First Contact
Fennecus Award, outstanding costume design for a fantasy, 1996,
Apex Award, outstanding costume design for fantasy, science fiction, or horror, 1996, and
Annual CableACE Award nomination, National Cable Television Association, outstanding costume design, 1995, for Heart of Darkness
Other
MTV Video Music Award nominations and Billboard Award nominations for music videos.
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AsIn Style Magazine
FILM TO FASHIONaoIu add text longer than the box size the scrollbar wil
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.What if Deep Throat was actually two teenage girls? That's the premise behind Dick, a sort of Clueless--meets--All the President's Men, due out in early August. According to the costume designer Deborah Everton (The Craft, Virus), director Andrew Flemming's sole mandate was: Let no seventies cliche go unexploited. Mission accomplished. Co-stars Kirsten Dunst and Michelle Williams handled 40 costume changes apiece. The clothes, many pulled from Hullabaloo, a vintage wholesaler with a Wal-Mart-size warehouse in St. Louis, chronicle every fashion phase of the Watergate era: Brady Bunch (plaid shirts, kneesocks), flower power (long dresses, hip huggers), and Mary Tyler Moore (wrap dresses, mega turtlenecks, pantsuits). The silhouette is tight, the fabrics are man-made, and the palette is psychedelic. There are lots of period accessories too, like Dr. School's sandals and jumbo belt buckles. "This is going to be a trip down memory lane for boomers," says Everton. "Who among us can say they didn't own a peace sign medallion?
Seventeen Magazine
Style Q & A: Dick
Dick's costume designer, Deborah Everton, tells you how to break into the wardrobing business. So, Deborah...
Q. What's a typical day on the job? -- Meredith
A. It's like being an anthropologist, exploring and researching the lives of the characters I'm dressing. I could be studying witchcraft for The Craft, or traveling the country in search of the perfect outfit for my latest project.
Q. Where did you find the awesome seventies clothing for Dick? Is it all vintage? -- Susan
A. First I studied lots of Seventeen magazines from that decade. The wardrobe for Michelle Williams' and Kirsten Dunst's characters came from a number of sources: from dead stock [never-worn vintage clothing] to outfits I had designed and created from scratch, like the colorful rainwear and flag-printed outfits. The only brand new item in the film was the girls' tights which I actually dyed to match their clothing.
Q. Did Kirsten and Michelle like wearing the crazy colorful clothing? -- KiKi
A. Kirsten was already into collecting '70s clothing, so she loved the stuff. Michelle initially thought the outfits were too childish and goofy, but she grew to love them.
Q. Any tips on how to get started as a costume designer? -- Lauren
A. Contact your local film commision and find out if any films are scheduled to be shot in your area, then apply for an internship. You can also look for wardrobing internships at your local TV station. Get involved in your school's drama department or volunteer at a nearby playhouse. Practice costuming by choosing a chapter from your favorite book and planning how you'd dress the characters.
Daily Buss
Hippy Chicks Okay, this is getting serious. Mother's Day is on Sunday, which means you need to get your act together like yesterday. You copy? You can still score mom gifts she'll love and that she won't have to return by swooping up some stylish accessories. We dig these Hip 2B Tied belts ($58) and reversible hats ($80) by Hollywood costume designer Deborah Everton. The best thing, other than how utterly cute they are, is that the belts are adjustable, fitting sizes 2-12, and the hats are one size too, fitting the average mom's cabeza, so you nearly guarantee mom will actually keep what you give her. Pick up these springy creations at the always chic online boutique